{"id":389,"date":"2021-03-26T12:09:09","date_gmt":"2021-03-26T12:09:09","guid":{"rendered":"http:\/\/vnss.info\/?p=389"},"modified":"2021-07-02T11:29:41","modified_gmt":"2021-07-02T11:29:41","slug":"v-a-greenfield-recordings-111-2017","status":"publish","type":"post","link":"http:\/\/vnss.info\/?p=389","title":{"rendered":"V.A. Greenfield Recordings 111  [2017]"},"content":{"rendered":"\n<iframe loading=\"lazy\" src=\"https:\/\/archive.org\/embed\/VAOTempoEntreUmaAcaaoEOutra&amp;playlist=1\" width=\"500\" height=\"50\" frameborder=\"0\" webkitallowfullscreen=\"true\" mozallowfullscreen=\"true\" allowfullscreen=\"\"><\/iframe>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"946\" height=\"684\" src=\"http:\/\/vnss.info\/wp-content\/uploads\/2021\/03\/Screenshot-2021-03-26-at-12.05.13.png\" alt=\"\" class=\"wp-image-393\" srcset=\"http:\/\/vnss.info\/wp-content\/uploads\/2021\/03\/Screenshot-2021-03-26-at-12.05.13.png 946w, http:\/\/vnss.info\/wp-content\/uploads\/2021\/03\/Screenshot-2021-03-26-at-12.05.13-443x320.png 443w, http:\/\/vnss.info\/wp-content\/uploads\/2021\/03\/Screenshot-2021-03-26-at-12.05.13-768x555.png 768w, http:\/\/vnss.info\/wp-content\/uploads\/2021\/03\/Screenshot-2021-03-26-at-12.05.13-508x367.png 508w\" sizes=\"auto, (max-width: 946px) 100vw, 946px\" \/><\/figure>\n\n\n\n<p><b>&#8220;O Tempo entre uma A\u00e7\u00e3o e Outra&#8221; <\/b>was created out of the necessity to present the work of brazilian artists working with diverse approaches in terms of dealing with recording and being in the &#8216;field&#8217;. Our main curatorial question was: what happens between pressing rec and stop?&nbsp;In this sense, this compilation presents pieces that express a variable mediation of both its process, as well as the presence of the artist conducting the recording: confering to the work a documentary or report feel (by abstracting the presence of the author); or in contrast, by exposing the presence of the author in the very moment of recording (through d\u00e9rives or in loco interventions). Perhaps, this enunciated opposition makes no sense, as field recording more often that not, implicates choices in terms of its technical setup.&nbsp;<\/p>\n<p>One can extend this idea of choice, to the de facto diversity of sonic events and sites presented in this compilation, &nbsp;that are obviously linked to authoral choices made by Alexande Fenerich, Tha\u00eds Arag\u00e3o, Marcelo Armani, Marco Sacarassatti, Lilian Nakahodo, Vanessa de Michelis, Renata Roman, Janete El Haouli, Thelmo Cristovam e J\u00falio de Paula.&nbsp;In this sense, and in order to potentiate the relationship between the different proposals, we have created a playlist and we also given the listener access to the original recordings.<\/p>\n<p><strong>Playlist<\/strong><\/p>\n<p>Part 1<\/p>\n<p>Vanessa de Michelis &#8211; 0&#8217;00&#8221; a 1\u201925\u201d<\/p>\n<p>Janete El Haouli &#8211; 1\u201904 a 7\u201946\u201d<\/p>\n<p>Thais Arag\u00e3o &#8211; 7\u201935\u201da 9\u201956\u201d<\/p>\n<p>Alexandre Fenerich &#8211; 9\u201946\u201d a 11\u201939\u201d<\/p>\n<p>Part 2<\/p>\n<p>Lilian Nakao Nakahodo &#8211; 11\u201949\u201d a 18\u201947\u201d<\/p>\n<p>Denise Garcia &#8211; 16\u201954\u201d a 26\u201916\u201d<\/p>\n<p>Julio de Paula &#8211; 22\u201944\u201d a 32\u201901\u201d<\/p>\n<p>Part 3<\/p>\n<p>Renata Roman &#8211; 32\u201911\u201d a 37\u201904\u201d<\/p>\n<p>Marcelo Armani &#8211; 37\u201903\u201d a 45\u201926\u201d<\/p>\n<p>Marco Scarassatti &#8211; 45\u201921\u201d a 51\u201908\u201d<\/p>\n<p>Thelmo Cristovam &#8211; 49\u201919\u201d a 55\u201945\u201d<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Original tracks:<\/strong><\/p>\n<p>Vanessa de Michelis \/\/ Enxada &#8212; 01&#8217;25&#8221;<\/p>\n<p>Janete El Haouli &nbsp;\/\/ Sapos &#8212; 24&#8217;52&#8221;<\/p>\n<p>Tha\u00eds Arag\u00e3o \/\/ Kenton Station &#8212; 04&#8217;26&#8221;<\/p>\n<p>Alexandre Fenerich \/\/ O cego &#8212; 01&#8217;53&#8221;<\/p>\n<p>Lilian Nakahodo \/\/ Eu na ferrugem &#8212; 06&#8217;27&#8221;<\/p>\n<p>Denise Garcia \/\/ BrasilXHolanda (Copa 2010) -Vale do Anhangaba\u00fa<\/p>\n<p>J\u00falio de Paula \/\/ &nbsp;Desafio dos Diabos (Epifanias IV) &#8212; 09&#8217;26&#8221;&nbsp;<\/p>\n<p>Renata Roman \/\/ &nbsp;Sinfonia Sapuca\u00ed &#8212; 09&#8217;56&#8221;<\/p>\n<p>Marcelo Armani \/\/&nbsp;The Punch Of A Daily Life &nbsp;&#8211; Chapter #01 The Next Stop &#8212; 08&#8217;23&#8221;<\/p>\n<p>Marco Scarassatti \/\/ &nbsp;Deriva Est\u00e1tica &#8212; 10&#8217;05&#8221;&nbsp;<\/p>\n<p>Thelmo Cristovam \/\/&nbsp;Duas est\u00f3rias dom\u00e9sticas colapsadas &#8212; 09&#8217;28&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>www.greenfieldrecordings.yolasite.com<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Curated by Rui Chaves e Paulo Dantas<\/strong><\/p>\n<p>(cc) 2017<\/p>\n<p>GFR 111<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[compilation] [field recording]<br \/>\nPortugal<\/p>\n","protected":false},"author":1,"featured_media":392,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[109],"tags":[99,26,98,24],"class_list":["post-389","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-disco","tag-braziliansoundart","tag-fieldrecording","tag-release","tag-soundscape"],"_links":{"self":[{"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts\/389","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=389"}],"version-history":[{"count":8,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts\/389\/revisions"}],"predecessor-version":[{"id":465,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts\/389\/revisions\/465"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/media\/392"}],"wp:attachment":[{"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=389"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=389"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=389"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}