{"id":258,"date":"2020-06-06T14:29:42","date_gmt":"2020-06-06T14:29:42","guid":{"rendered":"http:\/\/vnss.info\/?p=258"},"modified":"2021-07-02T11:12:17","modified_gmt":"2021-07-02T11:12:17","slug":"audiosphere-sound-experimentation-1980-2020","status":"publish","type":"post","link":"http:\/\/vnss.info\/?p=258","title":{"rendered":"AUDIOSPHERE [2020-21]"},"content":{"rendered":"\n<figure class=\"wp-block-audio\"><audio controls src=\"http:\/\/vnss.info\/wp-content\/uploads\/2020\/07\/Vanessa-De-Michelis_Junglow-Drift.mp3\"><\/audio><\/figure>\n\n\n\n<p>By way of a selection of hundreds of sound works,&nbsp;<a href=\"https:\/\/www.museoreinasofia.es\/en\/exhibitions\/audiosphere\"><i>Audiosphere. Sound Experimentation 1980-2020&nbsp;<\/i><\/a>looks to cover an historical and cultural void in terms of the recognition, exhibition and analysis of a key part of the recent changes that have taken place in the artistic conception of sound creation.<\/p>\n<p>Conceived from a social perspective, and with the aim of revealing and providing context to reflect upon and discuss the techno-cultural changes that have occurred since the 1980s, the exhibition will present the work of a broad number of experimental sound artists, hailing from all over the world, the majority unknown to the contemporary art spectator.&nbsp;<\/p>\n<p>The show will revolve around seven sections, each one addressing different social, technological, historical and cultural processes: genealogies, networks, mega accessibility, cyborgisation, aesthetogenesis, recombination and rights. Although such processes have been generated collectively and today are widespread, they have not been sufficiently identified, acknowledged or analysed artistically.&nbsp;<\/p>\n<p><i>Audiosphere&nbsp;<\/i>thus seeks to constitute a non-conceptual, large-scale contemporary art exhibition with no images or objects, underpinned solely by sound works and an exhibition design that facilitates experiential, profound and prolonged listening.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[Exhibition feature]<br \/>\nCurated by Francisco Lopez<br \/>\n@Museo Reina Sofia &#8211; Espa\u00f1a<br \/>\n2020-2021<\/p>\n","protected":false},"author":1,"featured_media":259,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[95,17],"tags":[],"class_list":["post-258","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-works"],"_links":{"self":[{"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts\/258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=258"}],"version-history":[{"count":4,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts\/258\/revisions"}],"predecessor-version":[{"id":384,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/posts\/258\/revisions\/384"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=\/wp\/v2\/media\/259"}],"wp:attachment":[{"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=258"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/vnss.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}